Editing Catapult
a resource for authors
Watch for hidden verbs
Hidden verbs are phrases that contain a weak verb plus a noun instead of a stronger verb.
How to punctuate dialogue
Explanation of how to punctuate dialogue in various instances with examples from published books.
Do the action, don’t intend to do it
Intention instead of action creates a distance between the reader and the character. And the reader may wonder if the character actually completed the action.
The present in the past
When writing in past tense, writers should pay attention to adverbs that deal with time.
Using style sheets
A style sheet records information and editorial decisions about a manuscript, from spelling to punctuation and other grammar issues to character descriptions and the timeline.
Body parts not included
If the action being done by a body part is an action that can only be accomplished by a specific body part, you don’t need to include the body part in the description.
Not an essay
Readers don’t need to be led through the story with the explicit use of words such as first, next, finally, then, before, and after.
Unfilter your words
Don’t filter descriptions through words that create space between the reader and the characters’ experiences.
Avoid filler words
Filler words need to be identified and removed/replaced with stronger words.
Dialogue tags and action beats
What’s the difference between dialogue tags and action beats and when and how should they be used?
The quest for the right editor
Finding the right editor can be quite the journey, but once you’ve reached that destination, the quest will be worth it.
Do you really need an editor?
Before you publish your story, this is a question you need to answer.
When does word count matter?
Does your word count fall in the range of your specific genre?
Head-hopping rips the reader from the story
Head-hopping is a shift without transition from the thoughts/observations from one character to another told in the character’s voice rather than the narrator’s.